Contrary to what Immanuel Kant believed, they are not subjectively constructed from something totally unknown. Today we comprehend the causal factors in material objects that generate our sensory experiences. A blind physicist can determine the colour of an object by investigating its chemical and structural properties. Today we understand it very well, unlike in Kant's days. So, for instance, our sense of heat is generated by molecular movements. It can explain our sensory experiences as generated by atomic and molecular factors. Science knows very much about the 'black box' that is matter. Allegedly, the only thing we know is our conscious experiences. Russell says that the outer world is totally unknown, like a black box that we cannot know anything about-the Kantian noumenon. The very same subjectivistic ideas have been preached during centuries but been refuted by science. Perhaps he has presented a new slant toward subjectivistic philosophy-that's all. Who am I? What is the self? The meeting of science and spirit.īut this is just plain old Idealist philosophy. The mystical experience of consciousness. Consciousness as the fundamental reality. Parallels between light and consciousness. Light lies beyond space, time and matter. This documentary basically seeks answers for these questions: What is consciousness? How could consciousness arise from matter? Paradigm shifts in science. He presents a reasoned argument that shows how they are pointing towards the one thing science has always avoided considering - the primary nature of consciousness. In this talk, he discusses the problems the materialist scientific world view has with consciousness and proposes an alternative world view which, rather than contradicting science, makes new sense of much of modern physics. Many have made such claims from metaphysical perspectives, but the possibility has always been ignored by the scientific community. In his documentary Peter Russell explores the reasons why consciousness may be the fundamental essence of the Universe. Portanto, conectar essa linguagem que você já conhece e utiliza no dia-a-dia, com a linguagem da Música é certamente uma ótima estratégia.

E todo mundo que passou pela Escola foi obrigado a praticá-la bastante. Tem mais de 10 séculos que o homem vem desenvolvendo a linguagem da Matemática. É mais fácil decorar 4-6-7-1-2-5-0-0, do que: “camelo, cartão, bola, casa, retrato, celular, caderno e violão”. É muito mais fácil decorar uma sequência de 8 números aleatórios do que 8 objetos aleatórios. Nossa memória tem facilidade para números. Por exemplo, contar os tempos do compasso (1,2,3,4…) contar quantas vezes acontece uma determinada sequência de acordes dar um número para cada acorde ou para as notas da escala comparar quantas casas você anda quando você vai de X para Y, e por aí vai… Minha dica: sempre que possível, atribua números ao que você toca. Mas fato é que unir o pensamento musical com o pensamento matemático é muito útil. A Teoria Musical mais complexa exige apenas matemática básica: Saber contar, saber somar. Dizem que pra ser bom músico precisa ser bom de Matemática… Isso é mentira.

Qutim 100 mg